And then he danced;- all foreigners excel
The serious Angles in the eloquence
Of pantomime;- he danced, I say, right well,
With emphasis, and also with good sense-
A thing in footing indispensable;
He danced without theatrical pretence,
Not like a ballet-master in the van
Of his drill'd nymphs, but like a gentleman.
Chaste were his steps, each kept within due bound,
And elegance was sprinkled o'er his figure;
Like swift Camilla, he scarce skimm'd the ground,
And rather held in than put forth his vigour;
And then he had an ear for music's sound,
Which might defy a crotchet critic's rigour.
Such classic pas- sans flaws- set off our hero,
He glanced like a personified Bolero;
Or, like a flying Hour before Aurora,
In Guido's famous fresco which alone
Is worth a tour to Rome, although no more a
Remnant were there of the old world's sole throne.
The 'tout ensemble' of his movements wore a
Grace of the soft ideal, seldom shown,
And ne'er to be described; for to the dolour
Of bards and prosers, words are void of colour.
No marvel then he was a favourite;
A full-grown Cupid, very much admired;
A little spoilt, but by no means so quite;
At least he kept his vanity retired.
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