17> unison.
Come then, bright cherubin, begin!
My loudest musick is within.
Take all notes with your skillfull eyes;
Hearke, if mine do not sympathise!
Sound all my thoughts, and see exprest
The tablature<53.18> of my large brest;
Then you'l admit, that I too can
Musick above dead sounds of man;
Such as alone doth blesse the spheres,
Not to be reacht with humane eares.
<53.1> "Madam A. L." is not in MS. copy. "The Lady A. L." and
"Madam A. L." may very probably be two different persons: for
Carew in his Poems (edit. 1651, 8vo. p. 2) has a piece "To A. L.;
Persuasions to Love," and it is possible that the A. L. of Carew,
and the A. L. mentioned above, are identical. The following poem
is printed in Durfey's PILLS TO PURGE MELANCHOLY, v. 120, but
whether it was written by Lovelace, and addressed to the same lady,
whom he represents above as requesting him to join her in a song,
or whether it was the production of another pen, I cannot at all
decide. It is not particularly unlike the style of the author of
LUCASTA. At all events, I am not aware that it has been
appropriated by anybody else, and as I am reluctant to omit any
piece which Lovelace is at all likely to have composed, I give
these lines just as I find them in Durfey, where they are set to
music:--
"TO HIS FAIREST VALENTINE MRS.
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