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Van Dyke, John Charles, 1856-1932

"A Text-Book of the History of Painting"

These he did with much dash and vivacity of
manner. His women, particularly, are fine in life-like pose and
winsomeness of mood. He was a very cunning observer, and knew how to
arrange for grace of line and charm of color.
After Romney came Beechey (1753-1839), Raeburn (1756-1823), Opie
(1761-1807), and John Hoppner (1759-1810). Then followed Lawrence
(1769-1830), a mixture of vivacious style and rather meretricious
method. He was the most celebrated painter of his time, largely
because he painted nobility to look more noble and grace to look more
gracious. Fond of fine types, garments, draperies, colors, he was
always seeking the sparkling rather than the true, and forcing
artificial effects for the sake of startling one rather than stating
facts simply and frankly. He was facile with the brush, clever in line
and color, brilliant to the last degree, but lacking in that
simplicity of view and method which marks the great mind. His
composition was rather fine in its decorative effect, and, though his
lights were often faulty when compared with nature, they were no less
telling from the stand-point of picture-making.


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